About Páramos and Sangurimas: a dialogue between the narratives of Juan Rulfo and José De la Cuadra
Abstract
Pedro Páramo (1955), by Juan Rulfo, and Los Sangurimas (1934), by José De la Cuadra, unusually rephrase topics and formal elements of the Latin-American regionalism. The presence of the complexity about some items that are related with orality, the passage and the creation of a mythic atmosphere with characters and with an own history in Los Sangurimas allows to relate De la Cuadra’s pursue with the narrative procedures and the aesthetic interest in Rulfo’s novel. In view of the their common challenge of representing a traditional community in the course of modernization, each work tries out a particular resolution which allows to read different inflections to the regionalist representation modes. This connection makes a double critic procedure possible: the updating of Pedro Páramo reading by framing it in a large process of preceding aesthetic searches and the revision of Los Sangurimas in Latin-American literature history.
Keywords: writing; community; modernization; Juan Rulfo; José De la Cuadra
Downloads
Downloads
Published
How to Cite
Issue
Section
License
The authors must adhere to the Creative Commons license called "Attribution - Non-Commercial - Share Alike CC BY-NC-SA", through which it is allowed to copy, reproduce, distribute, publicly communicate the work and generate derivative works, provided and when the original author is cited and acknowledged. However, it is not allowed to use the work or its possible derivative works for commercial purposes. The authors may establish additional agreements for the non-exclusive distribution of the version of the work published in the journal (for example, place it in an institutional repository or publish it in a book), with the acknowledgment of having been first published in this journal.
The publication of contents in this journal does not imply any royalty or charge for the contributors.