The capture of the imperceptible. Life, politics and affect in the fictions of Alan Pauls

  • Cecilia Sánchez Idiart Universidad de Buenos Aires Consejo Nacional de Investigaciones Científicas y Técnicas

DOI:

https://doi.org/10.19137/anclajes-2018-2226

Keywords:

Alan Pauls, Argentine literature, Literary criticism, 21st century, Affect

Abstract

An area of contemporary Latin American literature shows a growing interest in reviewing the experience of the defeat of armed struggle organizations established in the region since the 1960s. Within the framework of these debates, the cycle of novels made up by Historia del llanto (2007), Historia del pelo (2010) and Historia del dinero (2013), by the Argentine writer Alan Pauls, is devoted, on the one side, to dismantling the processes of subjectivation of militancy, and interrogating crystallized meanings in the discourses and politics of memory. On the other side, through the elaboration of an impersonal aesthetic of perception that assumes estrangement as a key premise, these fictions imagine alternative imbrications between life, politics and bodies starting from the investigation of the politicity of affect.

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Author Biography

Cecilia Sánchez Idiart, Universidad de Buenos Aires Consejo Nacional de Investigaciones Científicas y Técnicas

Licenciada y Profesora en Letras por la Universidad de Buenos Aires. Estudiante de la Maestría en Literaturas Española y Latinoamericana y del Doctorado en Literatura en la misma universidad. Becaria doctoral del CONICET con un proyecto titulado “Reinventar lo común. Configuraciones de la vida, la política y los afectos en la literatura latinoamericana contemporánea”.

Published

2018-05-03

How to Cite

Sánchez Idiart, C. (2018). The capture of the imperceptible. Life, politics and affect in the fictions of Alan Pauls. Anclajes , 22(2), 83–96. https://doi.org/10.19137/anclajes-2018-2226