Need to Hurt? Torture and Truth in the Athenian Courts and in Prometheus bound

Keywords:

basanos, torture, anangkê, Prometheus bound, enhanced interrogation techniques

Abstract

This paper examines the affective, emotional, and ideological questions raised by the practice of evidentiary torture (basanos) as necessity (anangkê). It proposes that competing ideas about its truth-value in Athenian forensic oratory reflect a degree of ambivalence sufficient to indicate that the Athenians (can) recognize the inherent unreliability of the slave’s tormented body and mind to reveal the truth. In Prometheus Bound, the torture of Prometheus is dramatized as brutal coercion by Zeus’ authoritarian state and set against the ‘coercion’ exercised by the bonds of kinship and emotional attachment. As such it engenders unbending anger on both sides and fails to coerce Prometheus to speak. The juxtaposition of the two genres establishes the unreliability of torture for extracting information along with a recognition that the criteria of exclusion for rendering bodies torturable are arbitrary, as are the rights they help maintain in the interest of Athenian exceptionalism. Fully embracing these recognitions would necessitate a new politics of care and fundamental reorganization of the civic community to expand ‘kinship’ and the bonds that compel mutual recognition and political inclusion. The paper closes by turning to the use of torture by the CIA in the context of the American war on terror to elucidate the persistence of discourses of necessity in contemporary politics of righteous anger and brings forth similar misrecognitions in the interest of American exceptionalism.

Downloads

Download data is not yet available.

Author Biography

Eirene Visvardi, Wesleyan University

Profesora de Estudios Clásicos en la Universidad de Wesleyan. Ha trabajado sobre la tragedia griega y su papel en la vida intelectual y política de la antigüedad. Las cuestiones que impulsan su trabajo tienen que ver con la naturaleza, la estructura y el poder de motivación de las emociones; la relación entre lo individual y lo colectivo; y el papel de las distintas formas estéticas, discursivas y performativas, como el teatro, la retórica y la filosofía, en la configuración de las disposiciones emocionales y el diálogo político. Entre las publicaciones centradas en estas cuestiones se encuentra su libro Emotion in Action: Thucydides and the Tragic Chorus (2015), “Communities of Production and Consumption” (A Cultural History of Tragedy in Antiquity, 2019) y “Emotion in Euripides” (Brill’s Companion to Euripides, 2020). Actualmente trabaja sobre los discursos de la verdad y los enfoques de la privacidad, la autonomía y la responsabilidad en la democracia ateniense y las políticas utópicas antiguas. Pone en diálogo la antigüedad clásica con el derecho y la política contemporáneos.

Published

2022-11-17