The “great party of the proletarian youth”: theory and practice of the counterculture according to the review Re Nudo (1970-1976)
DOI:
https://doi.org/10.19137/qs.v29i1.8427Keywords:
counterculture, youth, gender, sexualityAbstract
The article analyzes the experience of the Italian countercultural magazine Re Nudo, during the years 1970-1976. The research highlights the important presence of the magazine at the national level and summarizes its main positions. Focusing on the publication's openness to feminist and gay groups and its search to politicize the sphere of popular youth music, the article underscores the magazine's attempt to stimulate a cultural renewal in political activism. The analysis highlights the complexities of this project, taking stock of the limits and open possibilities in Italy in the 1970s
Downloads
References
Balestrini, N. y Moroni, P. (1988). L´orda d`oro: 1968-1977. La grande ondata rivoluzionaria e creativa, política ed esistenziale. Feltrinelli.
Bertante, A. (2005). Re Nudo: Underground e rivoluzione nelle pagine di una rivista. Nda Press.
Ciaponi, F. (2007). Underground: Ascesa e declino di un´altra editoria. Edizioni del frisco.
Crainz, G. (2000). L´Italia repubblicana. Giunti.
Del Corno, N. (2018). “Re Nudo” e il underground anni settanta. En Moicana Centro studi sulle controculture (Comp.) Universita della Strada. Mezzo secolo di controculture a Milano (pp. 67-78). Agencia X.
De Martino, G. (2016). La generazione neo-spiritualista degli anni 70. En I. M. Gallino 1965-1985: Venti anni di contracultura. Frammenti storici dell´underground italiana (pp. 376-378). Ignazio Maria Gallino Editore.
Di Totto, G. (2004). Tra orgoglio e pregiudizi. La storia del “FUORI!” (1972-1982) [tesis di laurea, Universitá Cattolica del Sacro Cuore, tesis no publicada].
Edwards, P. (2009). More Work Less Pay! Rebellion and Repression in Italy, 1972-1977. Manchester University Press. https://doi.org/10.7765/9781847792921
Finardi, E. (2018). La musica rock e i suoi festival negli anni settanta. En Moicana. Centro studi sulle controculture (Comp.) Universitá della Strada. Mezzo secolo di controculture a Milano (pp. 47-56). Agencia X.
Gallino, I. M. (2016). 1965-1985: Venti anni di controcultura. Frammenti storici dell`underground italiana. Ignazio Maria Gallino Editore.
Giachetti, D (2002). Anni sessanta comincia la danza. Biblioteca Franco Serantini Edizioni.
Ginsborg, P. (2003). A History of Contemporary Italy. Society and Politics (1943-1988). Palgrave.
Guarnaccia, M. (2005). Beat e mondo beat. Nuovi Equilibri.
Gundle, S. (2000). Between Hollywood and Moscow. Duke University Press. https://doi.org/10.1215/9780822380344
Huyssen, A. (1986). Ater the Great Divide: Modernism, Mass Culture, Posmodernism. Indiana University Press.
Judt, T. (2005). Postwar: A History of Europe since 1945. Penguin.
Lanaro, S. (1992). Storia dell´Italia repubblicana. Marsilio.
Lipsitz, G. (1994). Who´ll Stop the Rain? Youth Culture, Rock and Roll, and Social Crises. En D. Farber (Ed.) The Sixties: From Memory to History (pp. 206-234). University of North Carolina Press.
Lumley, R. (1990), States of Emergency: Cultures of Revolt in Italy from 1968 to 1978. Verso.
Marwick, A. (2006). Youth Culture and the Cultural Revolution of the Long Sixties. En Schildt, A. y Siegfried, D. Between Marx and Coca Cola: Youth Cultures in Changing European Societies, 1960-1980 (206-234). Berghahn Books.
Piccone Stella, S. (1993). La prima generazione. Franco Angeli.
Roszak, T. (1970). El nacimiento de una contracultura. Reflexiones sobre la sociedad tecnocrática y su oposición juvenil. Numancia.
Suri, J. (2009). The Rise and Fall of an International Counterculture. 1960-1975. The American Historical Review, 114(1), 45-68.
Weeks, J. (1981). Sex, Politics and Society. The Regulation of Sexuality since 1800. Longman.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Quinto Sol
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
When submitting their contributions, authors must declare that they have the permission of the file or repository where the documents that are attached to the work were obtained, whatever their format (unpublished manuscripts, images, audiovisual files, etc.). Such permission authorizes their publication and reproduction, releasing the journal and its editors from any liability or claim from third parties.
Likewise, authors must adhere to the Creative Commons license called "Attribution - Non-Commercial CC BY-NC-SA", through which the author allows copying, reproducing, distributing, publicly communicating the work and generating derivative works, as long as the original author is properly quoted and acknowledged. It is not allowed, however, to use the work for commercial purposes. Authors may establish additional agreements for the non-exclusive distribution of the version of the paper published in the journal (for example, placing it in an institutional repository or publishing it in a book), with the acknowledgment of having been published first in this journal.
The publication of content in this journal does not imply any royalty or charge for taxpayers.
Quinto Sol adheres to the DORA (Declaration on Research Assessment) signed in San Francisco, California, on December 16, 2012, and to the Declaration of Mexico (Joint Declaration LATINDEX - REDALYC - CLACSO - IBICT).
4.png){kind=logo}
2.png)
_(2).png)
1.jpg)
1.jpg)
