On the threshold of the amphibious voices: the acuatic imaginary in contemporary argentinian poetry

  • Franca Maccioni Universidad Nacional de Córdoba/Consejo Nacional de Investigaciones Científicas y Técnicas

Keywords:

Juan L. Ortiz, Francisco Madariaga, Martín Rodríguez, Argentine poetry, XX Century

Abstract

The poetic works of Juan L. Ortiz, Francisco Madariaga, Martín Rodríguez and Javier Cófreces and Alberto Muñoz imagine an amphibian origin between childhood and language, between timeless myth and historical-political time, between the subjective and the impersonal, between nature and culture. Assuming a method of reading that is also amphibious (oscillating among the symbolic, phenomenological, psychoanalytic and political-aesthetic), we intend to explore the ways in which each of these works imagines, in a singular way, the space and time of origin as poetry, that is, making the word and the object coincide.

 

KEYWORDS: Juan L. Ortiz; Francisco Madariaga; Martín Rodríguez; Argentine poetry; XX Century

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Author Biography

Franca Maccioni, Universidad Nacional de Córdoba/Consejo Nacional de Investigaciones Científicas y Técnicas

Licenciada en Letras Modernas por la Universidad Nacional de Córdoba. Desde 2012 realiza, allí, el Doctorado en Letras con beca del CONICET, con el proyecto titulado: “Contemporáneos del mundo. Políticas de la imagen y del recomenzar en Joaquín O. Giannuzzi y en otros poetas contemporáneos”.

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How to Cite

Maccioni, F. (2016). On the threshold of the amphibious voices: the acuatic imaginary in contemporary argentinian poetry. Anclajes , 20(2), 33–50. Retrieved from https://cerac.unlpam.edu.ar/ojs/index.php/anclajes/article/view/1200

Issue

Vol. 20 No. 2 (2016): mayo-agosto

Section

Articles

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